An Airstream Argosy pulls up and parks. Joe and Matthew get in. The driver is Lacey Haslam, the Archive of Creative Culture’s Lead Organizer. Conversation ensues, centering on the creative minds that help populate the Archive. Airstream restoration, travel, and mobility are explored. David Salle is read aloud, and advice for art school graduates is offered […]
Episodes
. . . But, That’s Savannah | Episode 18
Back from a Deep Dive in Savannah, Joe and Matthew reflect on their visit and their conversation with curator Rachel Reese. Stops at The SCAD Museum of Art and the Jepson Center – part of the Telfair Museums – are included. Exhibitions by Jose Parla, Carlos Cruz-Diez, and Chiharu Shiota, are discussed. The day’s audio […]
The KCHUNG Simulcast With Rachel Reese | Episode 17
While on a Brain Fuzz Deep Dive in Savannah GA, Joe and Matthew are joined by curator Rachel Reese. In a first for Brain Fuzz, the conversation is simulcasted live from the Jepson Center on KCHUNG radio. More about that in the podcast. They discuss museums and the life of a curator. Along the way, […]
The Houston Round Up | Episode 16
Joe and Matthew review a trip to Houston. Recommendations are made – highlighting hotel, museum, and gallery stops. The occasion calls for a discussion of Cy Twombly and the symbology in his oeuvre juxtaposed with that found in Jackson Pollock‘s work. The First Official Brain Fuzz Audio Pick of the Day The trip review ushers in the […]
The High Life with William Downs | Episode 15
Joe and Matthew are joined by artist William Downs. They delve into art career paths and trajectories. Automatism and the practice of performative drawing are explored. Studio visits, critics, and the trials and tribulations of academic life are discussed. Along the way, numerous artists and luminaries are name-checked including: Eva Hesse Louise Bourgeois Philip Guston […]
To Your Earlier Point . . . | Episode 14
Joe and Matthew discuss the work of Lonnie Holley and recent guests Justin Rabideau and Michi Meko. Trends in art making and distribution are examined within the framework of John Berger’s Ways of Seeing, David Salle’s How To See, and selected criticism: No Paintings for Old Men: I’m Done with Amy Feldman (Art F City) […]
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